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Feminist anthropology is a four-field approach to anthropology (archeological, biological, cultural, linguistic) that seeks to transform research findings, anthropological hiring practices, and the scholarly production of knowledge, using insights from feminist theory. Simultaneously, feminist anthropology challenges essentialist feminist theories developed in Europe and America. While feminists practiced cultural anthropology since its inception (see Margaret Mead and Hortense Powdermaker), it was not until the 1970s that feminist anthropology was formally recognized as a subdiscipline of anthropology. Since then, it has developed its own subsection of the American Anthropological Association – the Association for Feminist Anthropology – and its own publication, Voices.
Feminist anthropology has unfolded through three historical phases beginning in the 1970s: the anthropology of women, the anthropology of gender, and finally feminist anthropology.
Prior to these historical phases, feminist anthropologists trace their genealogy to the late 19th century. Erminnie Platt Smith, Alice Cunningham Fletcher, Matilda Coxe Stevenson, Frances Densmore—many of these women were self-taught anthropologists and their accomplishments faded and heritage erased by the professionalization of the discipline at the turn of the 20th century. Prominent among early women anthropologists were the wives of 'professional' men anthropologists, some of whom facilitated their husbands research as translators and transcriptionists. Margery Wolf, for example, wrote her classic ethnography "The House of Lim" from experiences she encountered following her husband to northern Taiwan during his own fieldwork.
While anthropologists like Margaret Mead and Ruth Benedict are representatives of the history of feminist anthropology, female anthropologists of color and varying ethnicities also play a role in the theoretical concepts of the field. Hortense Powdermaker, for example, a contemporary of Mead's who studied with British anthropological pioneer Bronislaw Malinowski conducted political research projects in a number of then a-typical settings: reproduction and women in Melanesia (Powdermaker 1933), race in the American South (Powdermaker 1939), gender and production in Hollywood (1950), and class-gender-race intersectionality in the African Copper Belt (Powdermaker 1962). Similarly, Zora Neale Hurston, a student of Franz Boas, the father of American anthropology, experimented with narrative forms beyond the objective ethnography that characterized the proto/pseudo- scientific writings of the time. Other African American women made similar moves at the junctions of ethnography and creativity, namely Katherine Dunham and Pearl Primus, both of whom studied dance in the 1940s. Also important to the later spread of Feminist anthropology within other subfields beyond cultural anthropology was physical anthropologist Caroline Bond Day and archeologist Mary Leakey.
The anthropology of women, introduced through Peggy Golde's "Women in the Field" and Michelle Rosaldo and Louise Lamphere's edited volume Woman, Culture, and Society, attempted to recuperate women as distinct cultural actors otherwise erased by male anthropologists' focus on men's lives as the universal character of a society. Male anthropologists, Golde argued specifically, rarely have access to women in tribes and societies because of the sexual threat they pose to these women. As such, they receive the stories of men about women in instances when women are present at all. The male anthropologists' ignorance and the indigenous men's domination congeal to create instances where, according to Rosaldo and Lamphere, the asymmetry between women and men becomes universal.[dubious ] A second anthropology of women would arise out of American engagements with Friedrich Engels' The Origin of the Family, Private Property and the State, arguing that this universal asymmetry was not timeless, but a product of capitalist relations that came to dominate the global mode of production through colonialism. As both approaches grew more vocal in their critique of male ethnographers' descriptions as one-sided, an 'add women and mix' approach to ethnography became popular, whereby women were not necessarily described at detail, but mentioned as part of the wider culture.
In the wake of Gayle Rubin and her critique of "the sex/gender system," the anthropology of women transformed into an anthropology of gender. Gender was a set of meanings and relationships related to but not isomorphic with biological sex. Women was not a universal community or category that was self-evident. Following the rise of women of color feminism, the anthropology of gender critiqued the early goals of first-wave feminists and anthropologists as overly concerned with bourgeois social ambitions. It did so through a move from documenting the experience of women as a universal population to interpreting the place of gender in broader patterns of meaning, interaction, and power. This includes the work of women anthropologists Henrietta Moore and Ethel Albert. Moore contended that anthropology, even when carried out by women, tended to "[order] the world into a male idiom [. . .] because researchers are either men or women trained in a male oriented discipline". Anthropology's theoretical architecture and practical methods, Moore argued, were so overwhelmingly influenced by sexist ideology (anthropology was commonly termed the "study of man" for much of the twentieth century) that without serious self-examination and a conscious effort to counter this bias, anthropology could not meaningfully represent female experience.
Today, feminist anthropology has grown out of the anthropology of gender to encompass the study of the female body as it intersects with or is acted upon by cultural, medical, economic, and other forces. This includes the expansion of feminist politics beyond cultural anthropology to physical anthropology, linguistic anthropology, and archeology, as well as feminist anthropology becoming a site for connecting cultural studies, history, literature, and ethnic studies.
Feminist archaeology initially emerged in the late 1970s and early 80s, along with other objections to the epistemology espoused by the processual school of archaeological thought, such as symbolic and hermeneutic archaeologies. Margaret Conkey and Janet Spector’s 1984 paper Archaeology and the Study of Gender summed up the feminist critique of the discipline at that time: that archaeologists were unproblematically overlaying modern-day, Western gender norms onto past societies, for example in the sexual division of labor; that contexts and artifacts attributed to the activities of men, such as projectile point production and butchering at kill sites, were prioritized in research time and funding; and that the very character of the discipline was constructed around masculine values and norms. For example, women were generally encouraged to pursue laboratory studies instead of fieldwork (although there were exceptions throughout the history of the discipline) and the image of the archaeologist was centered around the rugged, masculine, “cowboy of science”.
Recently, feminists in archeology have started to confront the issue of sexual assault during "field work" through scholarly research on the social life of archeologists. The Biological Anthropology Field Experiences Web Survey, open to bioarcheologists, primatologists, and other subfields, revealed that 19% of women are sexually assaulted during fieldwork, with 59% of anthropologists—male and female—experiencing sexual harassment.
Feminist Cultural Anthropology
Feminist cultural anthropology deals with the concept of feminism through the lens of cultural anthropology. When combining these two fields of study, cultural anthropology can be approached in a non-binary way. New information pertaining to research and knowledge from a scholarly perspective also has no restrictions. This field of study may impact feminism and women and gender studies as well because it provides feminist analyses of culture from an anthropological perspective.
Relationship with Feminism
The relationships of feminist anthropology with other strands of academic feminism are uneasy. By concerning themselves with the different ways in which different cultures constitute gender, feminist anthropology can contend that the oppression of women is not universal. Henrietta Moore argued that the concept of "woman" is insufficiently universal to stand as an analytical category in anthropological enquiry: that the idea of 'woman' was specific to certain cultures, and not a human universal. For some feminists, anthropologist Michelle Rosaldo wrote, this argument contradicted a core principle of their understanding of relations between men and women. Contemporary feminist anthropologist Marilyn Strathern argues that anthropology, which must deal with difference rather than seeking to erase it, is not necessarily harmed by this disagreement, but notes nonetheless that feminist anthropology faces resistance.
Anthropology engages often with feminists from non-Western traditions, whose perspectives and experiences can differ from those of white European and American feminists. Historically, such 'peripheral' perspectives have sometimes been marginalized and regarded as less valid or important than knowledge from the western world. Feminist anthropologists have claimed that their research helps to correct this systematic bias in mainstream feminist theory. On the other hand, anthropologists' claims to include and engage with such other perspectives have in turn been criticised - local people are seen as the producers of local knowledge, which only the western anthropologist can convert into social science theory. Because feminist theorists come predominantly from the west, and do not emerge from the cultures they study (some of which have their own distinct traditions of feminism, like the grassroots feminism of Latin America), their ideas about feminism may contain western-specific assumptions that do not apply simply to the cultures they investigate. Rosaldo criticizes the tendency of feminists to treat other contemporary cultures as anachronistic, to see other parts of the world as representing other periods in western history - to say, for example, that gender relations in one country are somehow stuck at a past historical stage of those in another. Western feminists had, Rosaldo said, viewed women elsewhere as “ourselves undressed and the historical specificity of their lives and of our own becomes obscured”. Anthropology, Moore argued, by speaking about and not for women, could overcome this bias.
Marilyn Strathern characterised the sometimes antagonistic relationship between feminism and anthropology as self-sustaining, since “each so nearly achieves what the other aims for as an ideal relation with the world.". Feminism constantly poses a challenge to the androcentric orthodoxy from which anthropology emerges; anthropology undermines the ethnocentricism of feminism.
The 'double difference'
Feminist anthropology, Rayna Rapp argues, is subject to a 'double difference' from mainstream academia. It is a feminist tradition – part of a branch of scholarship, sometimes marginalized as an offshoot of postmodernism and deconstructionism and concerned with the experiences of women – who are marginalized by an androcentric orthodoxy. At the same time it addresses non-Western experience and concepts, areas of knowledge deemed peripheral to the knowledge created in the west. It is thus doubly marginalized.
Moore argues that some of this marginalization is self-perpetuating. By insisting on adhering exclusively to the 'female point of view', feminist anthropology constantly defines itself as 'not male' and therefore as inevitably distinct from, and marginal to, mainstream anthropology. Feminist anthropology, Moore says, effectively ghettoizes itself. Strathern argues that feminist anthropology, as a tradition posing a challenge to the mainstream, can never fully integrate with that mainstream: it exists to critique, to deconstruct, and to challenge.
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